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HE
COSTUMES OF THE CLANS OF SCOTLAND - the book's working
title - was issued to commemorate the centenary of the
1745 uprising and was available on subscription only.
It was dedicated to Queen Victoria, with her consent,
and reflected the great interest in all things Scottish
prevalent in London and the USA at the time. |
| It
is reputed that the models McIan used were actor friends
seconded for the purpose. There has been much debate
as to the accuracy of McIan's work - in terms of dress,
the tartan patterns, etc, and it is generally accepted
that a degree of artistic licence was exercised by McIan
in his interpretations. There is little doubt that
his depictions reflected the then popular romanticised
view of Scotland. |
| McIan
and Logan continued to collaborate producing a further
volume - THE HIGHLANDERS AT HOME in 1848. McIan
was happily married to Fanny - an accomplished artist
in her own right and continued to paint until his death
in 1856 - the result of a wasting disease. |
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He
leaves as a legacy some of the most enduring images
of Scotland ever produced - recognised worldwide, although
seldom acknowledged, through their continued use on
everything from notepaper to websites.
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Clan
Heritage, 14 Park Circus, Glasgow, Scotland, G3 6AX
tel:
0141 333 9136, int +44 141 333 9136
fax: 0141 333 9143, int +44 141 333 9143
info@clanheritage.com
Clan Heritage is a trading division of Viking Technology
Ltd
©
Clan Heritage, Glasgow, 2001
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